I have briefly introduced essentials to critical thinking like logical fallacies, arguments, biases, the Paul-Elder critical thinking model, propaganda techniques and so on.
Two more things that are essentials for critical thinking are classic rhetoric and sublime writing. They are areas of looking at persuasion that are important to the history of critical thinking and need to be something you can think with to understand certain aspects of thinking and persuasion.
With many subjects that are partially or fully composed of persuasion it is worthwhile to learn a bit about them to be a well rounded critical thinker. Classic rhetoric and sublime writing are definitely on my list.
Below I quote pathosethoslogos.com for the briefest definitions of ethos, logos and pathos.
Ethos, Pathos, and Logos Definition and Examples
Ethos, Pathos, and Logos are modes of persuasion used to convince audiences. They are also referred to as the three artistic proofs (Aristotle coined the terms), and are all represented by Greek words.
Ethos or the ethical appeal, means to convince an audience of the author’s credibility or character.
An author would use ethos to show to his audience that he is a credible source and is worth listening to. Ethos is the Greek word for “character.” The word “ethic” is derived from ethos.
Ethos can be developed by choosing language that is appropriate for the audience and topic (also means choosing proper level of vocabulary), making yourself sound fair or unbiased, introducing your expertise or pedigree, and by using correct grammar and syntax.
Pathos or the emotional appeal, means to persuade an audience by appealing to their emotions.
Authors use pathos to invoke sympathy from an audience; to make the audience feel what what the author wants them to feel. A common use of pathos would be to draw pity from an audience. Another use of pathos would be to inspire anger from an audience; perhaps in order to prompt action. Pathos is the Greek word for both “suffering” and “experience.” The words empathy and pathetic are derived from pathos.
Pathos can be developed by using meaningful language, emotional tone, emotion evoking examples, stories of emotional events, and implied meanings.
Logos or the appeal to logic, means to convince an audience by use of logic or reason.
To use logos would be to cite facts and statistics, historical and literal analogies, and citing certain authorities on a subject.Logos is the Greek word for “word,” however the true definition goes beyond that, and can be most closely described as “the word or that by which the inward thought is expressed, Lat. oratio; and, the inward thought itself, Lat. Ratio. (1) The word “logic” is derived from logos.
Logos can be developed by using advanced, theoretical or abstract language, citing facts (very important), using historical and literal analogies, and by constructing logical arguments.
In order to persuade your audience, proper of Ethos, Pathos and Logos is necessary.
Examples of Ethos, Logos and Pathos:
Example of Ethos:
"I will end this war in Iraq responsibly, and finish the fight against al Qaeda and the Taliban in Afghanistan. I will rebuild our military to meet future conflicts. But I will also renew the tough, direct diplomacy that can prevent Iran from obtaining nuclear weapons and curb Russian aggression. I will build new partnerships to defeat the threats of the 21st century: terrorism and nuclear proliferation; poverty and genocide; climate change and disease. And I will restore our moral standing, so that America is once again that last, best hope for all who are called to the cause of freedom, who long for lives of peace, and who yearn for a better future."
Democratic Presidential Candidate Acceptance Speech by Barack Obama. August 28th, 2008.
Example of Pathos:
"I am not unmindful that some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow jail cells. And some of you have come from areas where your quest -- quest for freedom left you battered by the storms of persecution and staggered by the winds of police brutality. You have been the veterans of creative suffering. Continue to work with the faith that unearned suffering is redemptive. Go back to Mississippi, go back to Alabama, go back to South Carolina, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that somehow this situation can and will be changed."
I Have a Dream by Martin Luther King Jr. August 28th, 1963.
Example of Logos:
"However, although private final demand, output, and employment have indeed been growing for more than a year, the pace of that growth recently appears somewhat less vigorous than we expected. Notably, since stabilizing in mid-2009, real household spending in the United States has grown in the range of 1 to 2 percent at annual rates, a relatively modest pace. Households' caution is understandable. Importantly, the painfully slow recovery in the labor market has restrained growth in labor income, raised uncertainty about job security and prospects, and damped confidence. Also, although consumer credit shows some signs of thawing, responses to our Senior Loan Officer Opinion Survey on Bank Lending Practices suggest that lending standards to households generally remain tight."
The Economic Outlook and Monetary Policy by Ben Bernanke. August 27th, 2010.
A bit about sublime writing or sublime art and persuasion is worth noting in any discussion of rhetoric. It is initially something that doesn't need a lot of study. It really connects the dots between classic rhetoric and many other ideas and subjects, particularly in light of very recent work.
Here is a tiny excerpt on sublime persuasion from Wikipedia:
The earliest text on the sublime was written sometime in the first or third century AD by the Greek writer (pseudo-) Longinus in his work On the Sublime (Περὶ ὕψους, Perì hýpsous). Longinus defines the literary sublime as "excellence in language", the "expression of a great spirit" and the power to provoke "ecstasy" in one's readers. Longinus holds that the goal of a writer should be to produce a form of ecstasy.
He in other words elucidates sublime: "Sublimity refers to a certain type of elevated language that strikes its listener with the mighty and irresistible power of a thunderbolt. A sublime passage can be heard again and again with equal pleasure." End quote
To understand how this coordinates with other subjects we need to be aware of quite a few things that are relevant. A small collection of very precise concepts bring this into focus.
Ecstasy is defined as a trance state. Trance states are part of the foundation of the subject of hypnosis. Trances are worth serious examination in understanding hypnosis as theory and the reality of it which a lot of modern psychology can elaborate on.
I have extensively described hypnosis and trance phenomenon in numerous blog posts at Mockingbird's Nest, particularly as they pertain to Scientology.
Basic Introduction to Hypnosis in Scientology for example covers basic concepts and definitions from hypnosis for someone with very brief examples. Burning Down Hell - How Commands Are Hidden , Varied And Repeated In Scientology To Control You As Hypnotic Implants digs a bit deeper.
It is worth pointing out that the sublime is associated with inspiring awe in people. It involves often story telling that people get caught up in. It involves vivid imagery often in reality through art of movies or a visual medium or through the imagination of the audience of written or spoken communication.
Vivid imagery and stories people get caught up in are long known in hypnosis and by modern neuroscience and psychology. The modern experts like George Lakoff and Steven Pinker describe how we have metaphors or narratives that occur subconsciously, below our conscious awareness their models of how we think and are influenced include that we think in and are influenced by stories.
Additionally the vivid imagery is associated with strong impressions and lasting influence. The classic example is that after the movie Jaws aired people developed vivid imagery of shark attacks therefore millions of people were in terror of sharks and indifferent to car accidents. Sharks kill around ten Americans a year and car accidents kill tens of thousands of people in America per year, but the vivid imagery and cinematic portrayal of sharks influenced people very strongly.
I must touch upon the work of Yuval Laor. Yuval Laor is well known for work regarding awe and fervor and their effects in influencing people.
I have heard him describe his work on several podcasts recently and been thoroughly impressed.
I hope he is able to finish and publish a book on his work and it can compliment everything that I have touched on here and include good modern scientific research and evidence to bring classic rhetoric ideas on sublime persuasion fully to the modern day.
I recently completed a long series of blog posts on something many of us encourage but rarely actually discuss - critical thinking. It's essential to good reason and in my personal opinion recovery from the harm Scientology and other cults do. Here's the entire series.
Cornerstones of Critical Thinking 1 Looking at Both Sides
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Cornerstones of Critical Thinking 2 Logical Fallacies and Biases
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Cornerstones of Critical Thinking 3 Paul-Elder Critical Thinking Framework
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Cornerstones of Critical Thinking 4 Being A Pain In The Ass
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Cornerstones of Critical Thinking 5 Show The Work
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Cornerstones of Critical Thinking 6 Propaganda: 7 Most Important Techniques of Propaganda
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Cornerstones of Critical Thinking 7 Rhetoric and Sublime Writing
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Cornerstones of Critical Thinking 8 We Learn Together
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